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Click & Collect orders are available within 2-4 days for items in stock. If you need to collect sooner please contact us first to make sure the item is available at your chosen collection address.

Click & Collect Locations

Sheffield (Store)

Walk-in retail + Click & Collect

112-114 London Rd
Highfield
Sheffield
S2 4LR
Monday to Friday 10am - 6pm Saturday 10am - 6pm Sunday Closed

Chesterfield (Warehouse)

Click & Collect Only

Thornfield House
Dunston Road
Chesterfield
S41 9QD
Monday to Friday 9am - 5pm Saturday Closed Sunday Closed

Fujifilm XH2S Camera Body

Our Price: £2,139.00

Fujifilm XH2S Camera Body

Product Code: 16756883
Barcode: 4547410469172

Our Price:

£2,139.00

RRP: £2,499.00

2 In Stock for Home Delivery
See Click & Collect locations
  • 26.1 Megapixel X-Trans5 Stacked BSI Imaging Sensor
  • 40 Frames per second in Electronic Shutter
  • Up to 7 stops of Internal Body Image Stabilization (IBIS)
  • 4K/120p, 6.2K/30p video with Apple ProResHQ & F-Log2
  • External recording of ProRes Raw and Blackmagic Raw

Sheffield Store

Monday to Saturday 10am - 6pm

Harrison Cameras, 112-114 London Road, Sheffield, S2 4LR

Free UK Delivery

Free standard delivery to UK Mainland on all orders over £50

DPD Next Working Day and Saturday delivery also available when ordered before 2pm Mon-Fri

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Have equipment to trade in? We want your old cameras, lenses and accessories. Part-exchange against a new camera, or sell your gear and get paid by secure bank transfer

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Product Description

Introducing the Fujifilm XH2S

The Fujifilm XH2S is a new flagship model boasting the highest performance in both stills and videos in the history of the X Series. This has been made possible by the use of the new stacked-layer back-illuminated 26.16MP “X-TransTM CMOS 5 HS” sensor capable of reading signals 4 times faster than the previous model, and the high-speed “X-Processor 5” boasting double the processing speed of the previous model

Unparalleled Image Quality

Fujifilm XH2S is the first X Series camera to feature the 26.1-megapixel, X-Trans 5 stacked back-illuminated sensor. Building on the unique X-Trans colour filter array that minimizes moiré and false colours, placing the sensor’s circuitry on a separate layer from the pixels delivers outstanding image quality thanks to expanded low light capabilities and up to 14-stops of dynamic range. Allied to the sensor is the new X-Processor 5, offering lightning-fast performance for the most demanding situations. Capable of handling vast amounts of data, X-Processor 5 delivers next-level performance enhancements in video and stills processing capabilities and a 5.76 million dot resolution EVF, alongside advanced, intelligent autofocus functionality that’s 3x faster than Fujifilm’s preceding X-T4 model.

Powerful and Creative Video

Powerful video features make Fujifilm XH2S a go-to device – both for hybrid image makers and dedicated motion professionals. Up to 240 minutes of footage can be recorded internally at a wide range of resolutions and frame rates up to 6.2K/30P (in full-sensor 3:2 aspect ratio), 4K/120P, and Full HD/240P. This delivers unparalleled flexibility within the X Series line-up. Additionally, the ability to record 10-bit 4:2:2 Apple ProRes footage internally to CFexpress Type B memory cards offers incredible post-production flexibility, while the X-Trans 5 sensor’s 14-stop dynamic range optimizes the level of image detail across a uniquely wide exposure range.

Unmatched Autofocus Performance

he autofocusing system in Fujifilm XH2S is not only quick, but also highly advanced. Capable of working in light levels down to -7EV and keeping up with both fast and erratically moving subjects, it now features Subject Detection autofocus, utilizing AI to deliver an unmatched autofocus performance. Whereas previous X Series models offer Face and Eye Detection AF, Fujifilm XH2S's Subject Detection AF broadens the range of identifiable subjects to further enhance focusing accuracy. The new system has the ability to identify and track cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more. Furthermore, face and eye detection capabilities have been expanded to pick up hairlines, glasses, and face coverings.

Never Miss a Moment

Fujifilm XH2S delivers powerful performance, suitable for any professional photographer or filmmaker. Continuous shooting is possible at 15 frames-per-second with the mechanical shutter, and up to 40 frames-per-second when the electronic shutter is deployed. These impressive speeds are backed up by the camera’s high-capacity buffer, which allows unlimited continuous recording and writing of JPEG and RAW files to a high-speed memory card when using the mechanical shutter. Creative possibilities abound with by the camera’s in-body image stabilization system, offering up to seven stops of shake reduction to give the handheld user true versatility.

Professional Movie Capabilities

In addition to a wide range of internal video recording features, Fujifilm XH2S provides significant flexibility for external recording. F-Log or F-Log2, Apple ProRes RAW and Blackmagic RAW footage can all be recorded to an external device through the camera’s standard, Type A HDMI port. Unlock the full capability of Fujifilm XH2S's unmatched image quality by recording F-Log or F-Log2 in resolutions of up to 6.2K in Apple ProRes RAW*1 and Blackmagic RAW*2 .
*1 Atomos Ninja V+ HDR Monitor Recorder Required
*2 Blackmagic Design Video Assist Monitor Required

Product Specification

Lens Mount FUJIFILM X
Sensor Resolution Effective: 26.16 Megapixel (6240 x 4160)
Image Sensor 23.5 x 15.6 mm (APS-C) CMOS
Image Stabilization Sensor-Shift, 5-Axis
ISO Sensitivity Range Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
Continuous Shooting Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Internal Recording Modes H.265/MOV 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94/100/200/240 fps [360 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/200/240 fps [360 to 720 Mb/s]
H.265/MOV 4:2:0 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
DCI 2K (2840 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [1277 to 2754 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [870 to 1877 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [870 to 1877 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [204 to 440 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [204 to 440 Mb/s]
External Recording Modes 4:2:2 10-Bit via HDMI
6240 x 4160 at 23.98/24.00/25/29.97 fps
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100 fps
Raw via HDMI
6240 x 4160 at 23.98/24.00/25/29.97 fps
4848 x 2728 at 23.98/24.00/25/29.97/50/59.94 fps
Media/Memory Card Slot Slot 1: CFexpress Type B (CFast 2.0) [2 TB Maximum]
Slot 2: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended]
Video I/O 1x HDMI (Unspecified Signal) Output
Audio I/O 1x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body
1x 1/8" / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O 1x USB-C Input/Output
Other I/O 1x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether
Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Output
Wireless 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 4.2
Display Type Free-Angle Tilting Touchscreen LCD
Battery Type 1x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 720 Shots)

Customer Reviews

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K
KO

Have had the camera since August and the jury is still out. I've been using SLRs, then DSLRs and now mirrorless for 40 years and I do mostly bird/wildlife photography, hence the excitement over the H-2S. However I have never had such a high percentage of shots slightly out of focus. I have had some wonderful photos of birds against a plain sky or background and it does focus very quickly when they are in flight. However take a photo of a bird against grass, seaweed or some other "busy" backgound and even though the green box is right over the bird or bird's eye if close enough, when you look at the photos on PC, the sharpest focus is on e.g. the bit of seaweed just behind the bird's leg, or the bark just behind it's head. I have installed both the firmware updates from Fuji that were supposed to fix this but having returned from a trip to an RSPB reserve yesterday to test the latest update, there is no improvement. I have studied Fuji's videos, I have tried every combination of Af-s, Af-c, Spot focus, Zone focus, various custom focus settings and recommendastions from a Fujifilm rep at our local camera shop some months ago but no improvement so far. I would say that I get around 1 in 8 photos in sharp focus under the above described circumstances, a huge drop from what I am used to.