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Thornfield HouseCanon EOS R5 Mark II Mirrorless Full Frame Camera
Our Price: £4,499.00
New
Product Code: 6536C021AA
Barcode: 8714574686714
Our Price:
£4,499.00
Harrison Cameras, 112-114 London Road, Sheffield, S2 4LR
The Canon EOS R5 Mark II combines incredible 45-megapixel resolution with breathtaking speed, achieving up to 30fps and up to 8K 60p RAW video. This camera excels in every genre of visual storytelling, making it perfect for photographers and filmmakers alike. The DIGIC Accelerator technology powers Dual Pixel Intelligent AF, featuring next-generation Eye Control AF and Action Priority mode. With a max ISO of 51,200 (extendable to ISO 102,400) supported by in-camera Neural Network noise reduction, the EOS R5 Mark II delivers amazing results even in low light. Its advanced connectivity ensures you can get content to clients quickly and reliably. The EOS R5 Mark II is your tool to conquer creative ambitions.
DIGIC Accelerator Meets DIGIC X for Exceptional Performance The EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF set new standards. Sharp focus is maintained on moving subjects, even when briefly obscured from view. Action Priority mode detects players in football, basketball, and volleyball, moving the active AF area in response to specific actions, such as a shot on goal made from a high-speed pass.
Where Speed Meets Resolution Whatever the story, the EOS R5 Mark II speaks your language. Shoot incredible 45-megapixel photos at 30fps speed with a 15-frame Pre-Capture feature, or capture stunning 8K 60p RAW video. The EOS R5 Mark II unlocks new creative possibilities, no matter your needs.
Switch to Hybrid Use the full width of the EOS R5 Mark II’s sensor to shoot sensational 8K footage – rich in detail and crop-friendly during editing. 8K 60p Light RAW portrays moving subjects with silky smooth motion. 14-bit color depth offers fine gradation and wide dynamic range. With Dual Shooting, capture 33.2-megapixel (16:9) photos at 7.5fps while shooting Full HD video simultaneously.
Fast Connectivity Under Pressure Get your photos and video back to your client more quickly and reliably than ever, whether connected wirelessly with Wi-Fi 6E1 or tethered via USB. An optional battery grip allows connection via 2.5G BASE-T Ethernet for enhanced performance.
Powerful Performance Built on Advanced Technology The EOS R5 Mark II is brimming with advanced technologies, including the revolutionary RF lens mount. An up to 8.5-stop Image Stabilizer lets you shoot handheld with slow shutter speeds, while customizable controls let you set up the camera to suit your scene and shooting style. All this is housed in an agile, robust design that inspires creativity from the moment you hold it.
Advanced 45-Megapixel Stacked Image Sensor A next-generation full-frame back-illuminated stacked CMOS sensor combines stunning resolution and dynamic range with incredible speed and video capabilities. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera neural network noise reduction for cleaner, more detailed JPEG images.
DIGIC Accelerator The EOS R5 Mark II sees DIGIC Accelerator and DIGIC X image processors working together for phenomenal performance. AF tracking of people, animals, and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus. Action Priority recognizes key events in football, basketball, and volleyball and moves the active AF point in anticipation. Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed.
In-Camera Upscaling Deep-learning enables in-camera upscaling by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities.
Action Priority Focus Mode When shooting photos with the EOS R5 Mark II’s advanced electronic shutter, the DIGIC Accelerator processor identifies significant actions in three sports: football, basketball, and volleyball. The camera automatically switches the active AF area to a person performing critical actions, such as a shot from a high-speed pass.
Next Generation Eye Control AF Select an AF area or a subject to track simply by looking at it. Newly developed optics and a revised line-of-sight algorithm enhance the accuracy of the system, compared with the EOS R3, and broaden the effective angle for a more natural experience.
Pre-Continuous Shooting Fifteen frames are buffered continuously while the shutter-release is half-pressed and are written to the memory card when the shot is taken. This lets you capture images from the previous ½ second, ensuring you nail that decisive moment. At slower shooting speeds, the pre-capture time increases, giving you even more flexibility.
Canon EOS R5 Mark II: Master Every Moment
Capture stunning visuals with the Canon EOS R5 Mark II, offering unparalleled speed, resolution, and hybrid capabilities for photographers and filmmakers across all genres.
IMAGE SENSOR | |
Type | 36 x 24 mm Full Frame back-illuminated stacked CMOS sensor |
Effective Pixels | Approx. 45 megapixels |
Total Pixels | Approx. 50.3 megapixels |
Aspect Ratio | 3:2 |
Low-Pass Filter | Built-in/Fixed |
Sensor Cleaning | EOS integrated cleaning system |
Colour Filter Type | RGB Primary Colour |
Sensor Shift-IS | Yes, up to 8.5-Stops advantage at the center and 7.5-stops peripheral depending on the lens used |
IMAGE PROCESSOR | |
Type | DIGIC Accelerator and DIGIC X |
LENS | |
Lens Mount | RF / RF-S EF and EF-S lenses can be attached using: Mount Adapter EF-EOS R Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R EF-M lenses are not compatible |
Focal Length | Equivalent to 1.0x the focal length of the lens with RF and EF lenses, 1.6x with EF-S and RF-S lenses. |
FOCUSING | |
Type | Dual Pixel Intelligent AF |
AF System/Points | 100% horizontal and 100% vertical with Face + Tracking and Auto Selection modes2 100% horizontal and 90% vertical with manual selection and large zone modes |
AF Working Range | EV -6.5 â 21 (at 23°C & ISO100) |
AF Modes | One Shot, Servo AF, AI Focus AF (in A+ Scene Intelligent Auto mode ) |
AF Point Selection | Automatic selection: Face + tracking. 1053 Available AF areas when automatically selected Manual selection: Spot AF Manual selection: 1-point AF (AF frame size can be changed) 5850 (stills)/ (4500) movie AF positions available Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding Manual selection: Flexible Zone AF 1-3 (all AF points divided into minimum 9 to 999 maximum focusing zones, where the width and hight is also adjustable) Manual selection: Whole area AF Manual selection: Spot AF (Whole area tracking servo AF OFF) Manual selection: 1-point AF (Whole area tracking servo AF OFF) Manual selection: AF point Expansion 4 points (up, down, left, right) (Whole area tracking servo AF OFF) Manual selection: AF point Expansion surrounding (Whole area tracking servo AF OFF) |
AF Tracking | Humans (Eyes, Face, Head, Upper half of body, Body), Animals (Dogs, Cats, Birds and Horses) or Vehicles (Racing cars or Motor bikes, Airplanes and Trains), Register People Priority (up to 10 x 10 registered people), Action Priority4 (Football, Basketball, Volleyball) Supported actions: - Soccer: Shoot, header, short pass, long pass, dribble, clear, place kick, save by keeper, throw in, sliding tackle - Basketball: Shoot, rebound, pass, dribble, free throw, jump ball - Volleyball: Spike, toss, receive, serve |
AF Lock | Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo |
AF Assist Beam | Emitted by built in LED or optional dedicated Speedlite (flash) |
Manual Focus | Selected on lens |
EXPOSURE CONTROL | |
Metering Modes | Real-time with image sensor, 6144-zone metering. (1) Evaluative metering (linked to All AF points) (2) Partial metering (Approx. 9.5% of screen at centre) (3) Spot metering: Centre spot metering (Approx. 5.3% screen at centre) AF point-linked spot metering not provided (4) Centre weighted average metering |
Metering Brightness Range | EV -3 â 20 (at 23°C, ISO100, with evaluative metering) |
AE Lock | Auto: AE lock takes effect when focus is achieved Manual: By AE lock button in P, Av, Fv, Tv and M modes |
Exposure Compensation | `+/-3 EV in 1/3 or 1/2 stop increments (can be combined with AEB) |
AEB | +/-3 EV in 1/3 or 1/2 stop increments |
Anti-Flicker Shooting | Yes. Flicker detected at a frequency of 100 Hz or 120 Hz. Maximum continuous shooting speed may decrease available with both electronic and mechanical shutter High Frequency anti flicker shooting for M and TV modes Electronic 1st-curtain: 1/50.0 to 1/2048.0 sec. Electronic shutter: 1/50.0 to 1/8192.0 sec. Movie recording: 1/50.0 to 1/8192.0 sec. (NTSC/PAL) Maximum continuous shooting speed may decrease. |
ISO Sensitivity | Auto 100-51200 (in 1/3-stop or 1 stop increments) ISO can be expanded to L:50, H1:1024005 |
SHUTTER | |
Type | Electronically-controlled focal-plane shutter and Electronic shutter function on sensor |
Speed | 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb (Total shutter speed range. Available range varies by shooting mode) |
Shutter Release | Soft touch electromagnetic release |
WHITE BALANCE | |
Type | Auto white balance with the imaging sensor supported by deep learning technology AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour Temperature Setting |
Settings | White balance compensation: 1. Blue/Amber +/-9 2. Magenta/Green +/-9 |
Custom White Balance | Yes, 5 setting can be registered |
WB Bracketing | `+/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release Selectable Blue/Amber bias or Magenta/Green bias |
VIEWFINDER | |
Type | 0.5-inch OLED colour EVF |
Dot Count | 5.76 Million dots (1600x1200) |
Coverage (Vertical/Horizontal) | Approx. 100% |
Magnification | Approx. 0.76x6 |
Eyepoint | Approx. 24mm (from eyepiece lens centre) |
Dioptre Correction | -4 to +2 m-1 (dioptre) |
Display performance | Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps7 (7 level of brightness) |
Viewfinder Information | AF point information, Eye Control pointer, Exposure level indicator, Shooting mode, ISO speed, Shutter speed, Aperture, Number of remaining multiple exposures, Exposure compensation, HDR shooting, Highlight tone priority, Multiple-exposure shooting, Multi Shot Noise Reduction, Number of self-timer shooting, Digital Lens Optimizer, Maximum burst, AF method, Battery level, Electronic level size, Card free space (%) display, AF operation, Exposure simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker shooting, Still photo cropping, Aspect ratio, Auto Lighting Optimizer, AE lock, Picture Style, Flash-ready, White balance, Flash off, White balance correction, FE lock, Image Quality, High-speed sync, Bluetooth function, Wi-Fi function, Multi-function lock warning, Histogram, Electronic level, Lens information, focus distance scale, vertical exposure scale, Grid, |
Depth of Field Preview | Yes, via customised button |
LCD MONITOR | |
Type | 8.0 cm (3.2") TFT colour LCD, Approx. 2.1 million dots |
Coverage | Approx. 100% |
Viewing Angle Horizontally/Vertically | Approx. 170° vertically and horizontally |
Coating | Anti-smudge. |
Brightness Adjustment | Manual: Adjustable to one of seven levels Colour Tone Adjustment: 4 settings |
Touch-Screen Operations | Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in still and Movies, touch shutter is possible in still photo shooting. |
Display Options | (1) Basic Camera settings (2) Advance Camera settings (3) Camera settings plus histogram and dual level display (4) No info (5) Quick Control Screen (6) Off |
FLASH | |
Modes | E-TTL II flash metering, Manual flash, MULTI flash (stroboscopic), Auto external flash metering, Manual external flash metering |
X-Sync | When [Cropping/aspect ratio: Full-frame/1:1/4:3/16:9] is set: 1/200 sec mechanical shutter / 1/250 electronic 1st curtain, 1/160 sec Electronic shutter When [Cropping/aspect ratio: 1.6x (crop)] is set: 1/250 sec mechanical shutter / 1/320 electronic 1st curtain, 1/250 sec Electronic shutter |
Flash Exposure Compensation | '+/- 3EV in 1/3 increments with EX and EL series Speedlite flashes |
Flash Exposure Bracketing | '+/- 3EV in 1/3 increments with EX and EL series Speedlite flashes |
Flash Exposure Lock | Yes |
Second Curtain Synchronisation | Yes, via Speedlite |
Hot Shoe/PC Terminal | Yes/Yes and Multi-function shoe |
External Flash Compatibility | EL series Speedlites, EX series Speedlites, Macrolites, Wireless multi-flash support |
External Flash Control | via camera menu screen |
SHOOTING | |
Modes | Stills; Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3) Movie: Program AE, Shutter priority AE, Aperture priority AE, Manual, and Custom (x3) |
Picture Styles | Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3) |
Colour Space | SDR: sRGB and Adobe RGB HDR PQ: BT.2020 Highlight Tone Priority (3 settings) Auto Lighting Optimizer (4 settings) Long exposure noise reduction (3 settings) (still only) Clarity High ISO speed noise reduction (4 settings) (still and video) Lens optical correction: - Peripheral illumination correction, Chromatic aberration correction Distortion correction (during/after still photo shooting, during video only) - Focus breathing correction(during video only) - Diffraction correction, - Digital Lens Optimizer (during/after still photo shooting) |
Image Processing | Resize to M, S1, S2 Cropping: JPEG images can be cropped (Aspect ratios 3:2, 4:3, 16:9, 1:1) Cropping of images - Switch between vertical and horizontal cropping orientation - Image straightening - Cropping frame can be moved using touch screen operation - Neural Network Upscaling RAW image processing Neural Network Noise Reduction Multiple exposure HDR HEIF to Jpeg conversion (inc Batch conversion) Focus Bracketing and in camera composition |
Drive Modes | Single, Continuous High+, Continuous High, Continuous Low, Customisable Continuous shooting speeds, Self-timer (2s+remote, 10s+remote, continuous) |
Continuous Shooting | Max. Approx. 12 fps. with Mechanical shutter/1st curtain electronic speed maintained for 760 JPEG or 230/95(CFexpress/SD card) RAW images or 30 FPS with electronic shutter speed maintained for 200 JPEG or 93/86(CFexpress/SD card) RAW images. |
Interval Timer | Built in |
FILE TYPE - STILLS | |
Still Image Type | RAW 14 bit: RAW and C-RAW (Canon original RAW 3rd edition) JPEG 8 bit: 10 compression options HEIF 10 bit: 10 compression options Complies with Exif 2.31 and Design rule for Camera File system 2.0 Complies with Digital Print Order Format [DPOF] Version 1.1 |
RAW+JPEG/HEIF Simultaneous Recording | Yes, any combination of RAW + JPEG or RAW + HEIF possible |
Image Size | RAW/ C-RAW: 3:2 ratio 8192x5464, 1.6x (crop) 5088x3392 JPEG/ HEIF: 3:2 ratio (L, RAW, C-RAW) 8192x5464, (M) 6000x4000, (S1) 4176x2784, (S2) 2400x1600 1.6x (crop) (L) 5088x3392, (S2) 2400x1600 4:3 ratio (L) 7280x5464, (M) 5328x4000, (S1) 3712x2784, (S2) 2112x1600 16:9 ratio (L) 8192x4608, (M) 6000x3368, (S1) 4176x2344, (S2) 2400x1344 1:1 ratio (L) 5456x5456, (M) 4000x4000, (S1) 2784x2784, (S2) 1600x1600 In-camera Neural Network Upscaling up to 16384x10928 (179MP)10 |
Folders | New folders can be manually created, named and selected Movie folder structure is adopting the XF-HEVC S / XF-AVC S format |
File Numbering | (1) Consecutive numbering (2) Auto-reset (3) Manual reset |
File Naming | Still: Preset code Unique 4-digit character string + 4-digit file number 2 User Presets Movie: Adopting the XF-HEVC S / XF-AVC S format Camera index, Reel number, Clip number, Codec type, Shooting start date, Shooting start time, Random ID, User defined 5 characters, Stream number, (Proxy) |
EOS MOVIE | |
Movie Type | RAW/SRAW Video: 8K DCI(17:9) / 4K DCI(17:9)11 MP4 Video: 8K DCI/UHD (17:9/16:9) 4K DCI/UHD (17:9/16:9), 2K/Full HD (17:9/16:9) 8K/4K/2K/Full HD: XF-HEVC S/H.265, Audio: Linear PCM / AAC 4K/2K/Full HD: MPEG-4 AVC S/H.264, Audio: Linear PCM / AAC 8K RAW 4K RAW: 12bit CRM Audio: Linear PCM / AAC 8K/4K/FullHD Time-lapse movie mode |
Movie Size | RAW (Light) (17:9) 8192 x 4320 (59.94, 50, 29.97, 25, 24, 23.98 fps) RAW (Standard) (17:9) 8192 x 4320 (29.97, 25, 24, 23.98 fps) SRAW (Standard, Light) (17:9) 4096 x 2160 (59.94, 50, 29.97, 25, 24, 23.98 fps) 8K DCI (17:9) 8192 x 4320 (29.97, 25, 24, 23.98 fps) 2-3 type of intra or Long GOP 8K UHD (16:9) 7680 x 4320 (29.97, 25, 23.98 fps) 2-3 type of intra or Long GOP 4K DCI (17:9) 4096 x 2160 (119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98 fps) 3 type of intra or Long GOP 4K UHD (16:9) 3840 x 2160 (119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) 3 type of intra or Long GOP 2K DCI (17:9) 2048 x 1080 (239.76, 200, 119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98 fps) Intra frame or Long GOP Full HD (16:9) 1920 x 1080 (239.76, 200, 119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) Intra frame or Long GOP HDR movie recording at up to 59.94p in Normal modes of 4K DCI/UHD, 2K DCI/UHD, Full HD HDR movie recording at up to 29.97p in Fine modes of 4K DCI/UHD, 2K DCI/UHD, Full HD12 |
Colour Sampling (Internal recording) | 8K/ 4K/ 2K/ Full HD - YCbCr4:2:0 or YCbCr4:2:2 8-bit or 10bit |
Canon Log | Custom Picture: C1: Canon 709 C2: Canon Log 2 C3: Canon Log 3 C4: PQ C5: HLG C6: BT.709 Standard C7 - C20: User Defined Picture Styles: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3) |
Movie Length | Max duration 6 hours. (excluding High Frame Rate movies). No 4 GB file limit with exFAT formatted card13. |
High Frame Rate Movie | MP4 Video: 4K â DCI 4096x2160 / UHD 3840x2160 at 119.9 / 100 fps 2K â DCI 4096x2160 / UHD 3840x2160 at 239.76 / 200 / 119.9 / 100 fps Full HD 1920 x1080 at 239.76 / 200 / 119.9 / 100 fps14 |
Frame Grab | 35.4-megapixel JPEG still image frame grab from 8K DCI movie possible 33.2-megapixel JPEG still image frame grab from 8K UHD movie possible 8.8-megapixel JPEG still image frame grab from 4K DCI movie possible 8.3-megapixel JPEG still image frame grab from 4K UHD movie possible |
Bitrate/Mbps | CRM: 8K RAW Standard (29.97p/25.00p/24.00p/23.98p): Approx. 2600 Mbps |
Dual Card recording | Yes (including Proxy recording) |
Microphone | Built-in mono microphone (48 Khz, 24/16-bit x 2 channels) Audio format: LPCM / 24 bit / 4CH AAC / 16 bit / 2CH |
HDMI Display | Output to external monitor only (output of images and shooting information, images are recorded to the card) Camera screen and External Monitor output (Simultaneous recording to camera and external recorder, camera screen shows images with shooting information) |
HDMI Output | 8K RAW or 4K SRAW ProRes recording via HDMI18 4K (DCI) 59.94p / 50p/29.97p /25p/24p/ 23.98p, 4K (UHD) 59.94p / 50p/ 29.97p / 25p / 23.98p, Full HD 59.94p / 60i / 59.94i / 50p / 50i 480p 59.94p 576p 50p Uncompressed YCbCr 4:2:2, 10-bit, sound output via HDMI is also possibleâ |
Focusing | Dual Pixel Intelligent AF with Eye/Face Detection and Tracking AF (people, animals and vehicles) , Movie Servo AF, Manual Focus |
ISO | Auto: 100-25600, H: up to 51200 (when custom picture is off) Manual: 100-25600, H: up to 51200 (when custom picture is off) |
OTHER FEATURES | |
NETWORK OPTIONS | Communication functions: - Via Wi-Fi: FTP, FTPS, SFTP, EOS Utility, image.canon, Sync time between cameras, Camera Connect, Streaming services, Content Transfer Professional, Linked shooting, Camera Control API - Via Bluetooth: Camera Connect, BR-E1 - Via USB: EOS Utility, Camera Connect, Content Transfer Professional, Video calls/streaming (UVC/UAC) - Via Ethernet: FTP, FTPS, SFTP, EOS Utility, Sync time between cameras, Camera Control API Simultaneous use of communication functions: - FTP (wireless LAN) + EOS Utility (wireless LAN) - FTP (wired LAN) + EOS Utility (wired LAN) - FTP (wireless LAN) + EOS Utility (USB) - FTP (wired LAN) + EOS Utility (USB) |
Water/Dust Resistance | Yes |
Histogram | Brightness: Yes RGB: Yes |
Highlight Alert | Yes |
Self Timer | 2 or 10 sec. |
Firmware Update | Update possible by the user using Camera Connect app or EOS Utility |
INTERFACE | |
Computer | SuperSpeed Plus USB 3.2 Gen 2 USB Type-C® connector |
Wi-Fi | Wireless LAN (IEEE 802.11ax 2Ã2 MIMO) (6 GHz / 5 GHz / 2.4 GHz)21, with Bluetooth 5.3 support |
Other | HDMI out (Type A, HDMI-CEC not supported), RJ-45 Ethernet terminal for 2.5 GBASE-T wired LAN, External Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), N3-type terminal (remote control terminal), PC Sync terminal. GPS: GPS satellites (American) GLONASS satellites (Russian) MICHIBIKI Quasi-Zenith Satellites (Japanese) |
STORAGE | |
Type | 1x CFexpress type B maximum capacity 2TB (compatible with CFexpress 2.0 and VPG400) 1x SD/SDHC/SDXC and UHS-II |
POWER SOURCE | |
Batteries | Rechargeable Li-ion Battery LP-E6P (supplied) |
Battery Life | With LCD Approx. 630 shots (at 23°C) With Viewfinder Approx. 340 shots (at 23°C) |
Power Saving | Power turns off after 30 seconds, 1, 3, 5, 10 or 30mins |
Power Supply & Battery Chargers | Battery charger LC-E6E (supplied), Car Battery Charger CBC-E6, CD Coupler DR-E6P, PD-E2 USB power adapter, PD-E1 USB power adapter |
ACCESSORIES | |
Lenses | All RF and RF-S lenses (EF & EF-S via Lens adapters) |
Lens Adapters | EF TO EOS R ADAPTER, EF TO EOS R ADAPTER WITH CONTROL RING, EF TO EOS R Drop in filter ADAPTER |
Flash | Canon Speedlite (EL-1, EL-5 EL-100, 90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III 470EX-AI, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX-II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX, Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT, Speedlite Transmitter ST-E3-RT V2, Speedlite Transmitter ST- E10) |
Battery Grip | BG-R20 battery grip, BG-R20EP battery grip, CF-R20EP Cooling Fan |
Remote Controller/Switch | Remote Switch RS-80N3, Timer Remote Controller TC-80N3, Remote control with N3 type socket, Speedlite 600EX-II-RT. Speedlite EL-1 and BR-E1 Bluetooth remote |
Other | GP-E2 GPS receiver (digital compass not supported), Eyecup ER-KE, Multi-Function Shoe Adapter AD- E1, Multi-Function Shoe Directional Stereo Microphone DM-E1D (Mic), Multi-Function Shoe Adapter for Smartphone Link AD-P1 for Android, Stereo Microphone DM-E1 / DM-E100, Tascam CA-XLR2d-C XLR microphone adapter, Rain Cover small ERC-R5S, Rain Cover large ERC-R5L, Protecting Cloth PC-E1, Hand Strap E2, Shoe cover ER-SC1, Shoe cover ER-SC2, Shoe cover ER-SC3, Tripod Grip HG-100TBR31, Interface Cable IFC-100U, Interface Cable IFC-400U |
PHYSICAL SPECIFICATIONS | |
Body Materials | Magnesium Alloy body and Chassis with some components consisting of polycarbonate with glass fibre |
Operating Environment | 1 â 40 °C, 85% or less humidity |
Dimensions (WxHxD) | Approx. 138.5Ã101.2Ã93.5 mm |
Weight (body only) | Approx. 656 g (746 g with card and battery) |
I am not sure I know what I was expecting the long-anticipated arrival has been a little lacklustre. When I got my RP I was wow this is different and I still love that camera today. In regard to the Canon R5mkii if you take away the eye control which is a bit hit and miss and the 45Mb then you’ve principle got a R6mkii. The cooling vents make me little concerned but not overly. The one thing that really disappointed me was no GPS and although the substitute app works relatively well the wifi drops out a lot and noticeably consumes way too much battery power. I have started having a play and working my way around the settings and I’m relatively pleased with Canon’s refresh of the R5 but there is a little bit of me wondering whether a now a sub £4k R3 would have been a little more exciting as those that own them think they are pretty special. RP/R8 Travel, R3 Pro and the R5mkii a bit of both but nearly £3k better than a R6mkii?